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Jack Murray (1900–1961) was an American film editor with about fifty-five feature film credits between 1929 and 1961. Fifteen of these films were with the director John Ford. Their collaboration commenced with ''The Prisoner of Shark Island'' (1936), which was produced when both men were working at the 20th Century Fox studio. It encompassed such well-known films as ''The Quiet Man'' (1952) and ''The Searchers'' (1956), and ended only with Murray's death in 1961.〔〔〔〔 Essentially nothing has been published about Murray's early life or about the first phase of his career. In this phase, from 1929 - 1939, Murray had more than 30 feature film credits for the 20th Century Fox studio and its predecessors.〔See (Murray's filmography ) at the Internet Movie Database. With one exception, the films crediting Murray from 1929–1939 are from the Fox Film Corporation, the 20th Century Film Corporation, and 20th Century Fox. The exception is ''Back Door to Heaven'' (1939), which was the sole film produced by Vernon Steele Productions; see (【引用サイトリンク】) ">url=http://www.imdb.com/company/co0128400/ ).〕 Among his credits are Will Rogers' final film, ''In Old Kentucky'' (1935), and two films starring Shirley Temple (''Curly Top'' (1935) and ''Poor Little Rich Girl'' (1936)). In addition to the film with Ford, in this period Murray edited films directed by Irving Cummings, H. Bruce Humberstone, and George Marshall, among others.〔 After 1939, there are no further feature films crediting Murray until 1947, when he edited a second film with Ford, ''The Fugitive'' (1947).〔 This was also the first film produced following the reorganization of Ford's independent production company, Argosy Pictures, which Ford and his partners created to gain more independence of the major studios that controlled most film production in that era.〔 Tag Gallagher notes that, while the film was a disastrous start for Argosy, "in terms of composition, lighting and editing, ''The Fugitive'' may be among the most enjoyable pictures."〔 Murray's collaboration with Ford continued through seven more films from Argosy Pictures, which folded after producing ''The Sun Shines Bright'' (1953).〔Murray was the editor for all of Ford's Argosy Pictures productions after ''The Fugitive''; for a listing of the Argosy films see 〕 After ''The Sun Shines Bright'', Murray edited six additional films with Ford.〔 For his studio films after 1947, Ford worked with other editors as well as with Murray. Thus ''What Price Glory?'' (1952) was produced at 20th Century Fox and was edited by Dorothy Spencer, who had previously edited Ford's ''Stagecoach'' (1939) and ''My Darling Clementine'' (1946).〔(【引用サイトリンク】url=http://www.tcm.com/tcmdb/title/95434/What-Price-Glory/ )〕 Murray edited ''Mister Roberts'' (1955), which was produced by Warner Bros.. Murray also occasionally edited with other directors in this period (cf. ''Tarzan's Peril'' (1951), ''The Steel Claw'' (1961)).〔''Tarzan's Peril'' was directed by Byron Haskin, and ''The Steel Claw'' was directed by George Montgomery. See 〕 Murray's last film with Ford was ''Two Rode Together'' (1961); Murray died in 1961.〔 Among the most celebrated of the films edited by Murray were ''The Quiet Man'' (1952) and ''The Searchers'' (1956), both directed by Ford and produced independently of the major studios.〔 ''The Quiet Man'' received multiple Academy Award nominations, although not for editing.〔 ''The Searchers'' was in the first group of 25 films selected in 1989 for the US National Film Registry.〔(【引用サイトリンク】url=http://www.loc.gov/film/registry_titles.php )〕 It was ranked as the seventh greatest film ever made on the 2012 decennial international survey of film critics by the British Film Institute.〔(【引用サイトリンク】url=http://explore.bfi.org.uk/sightandsoundpolls/2012 )〕〔 The period of Murray's collaboration with Ford after 1947 has been summarized by Tag Gallagher as one "distinguished by the vitality of its invention, at every level of cinema, but with particular intensity in montage, motion, and music."〔 The term "montage" refers to the editing of these films. While the individual contributions of Ford and of Murray to the editing of the theatrical release versions of these films aren't well known, Murray was responsible for the first, editor's cuts. Ford rarely set foot in the cutting room.〔〔 Michael A. Hoey worked as Murray's assistant on ''Sergeant Rutledge'' (1960). His memoir suggests that Ford did largely entrust the editing of his films to Murray; Hoey writes of the screening of Murray's cut for Ford that it "... went well with surprisingly few notes, but after all Jack Murray had been editing John Ford's films since 1936's ''The Prisoner of Shark Island'' and knew the Old Man's taste better than he did himself."〔 Murray was elected to membership in the American Cinema Editors shortly after its formation in 1950.〔 ==Selected filmography== * ''Nancy Steele Is Missing!'' (1937) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jack Murray (film editor)」の詳細全文を読む スポンサード リンク
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